1 - A sculpture is created in non-sulphur clay.

2 - Ease Release 200 is applied to the entire surface

3 - Shell Shock® part A is measured (1A:5B by weight)

4 - Shell Shock® part B is measured (1A:5B by weight)

5 - The Shell Shock® is combined and mixed thoroughly.

6 - A thin detail coat of Shell Shock® is stippled onto the clay sculpt

7 - Another batch of Shell Shock® is measured and mixed

8 - This second batch is applied in a thicker coating

9 - A third batch of Shell Shock® is measured and mixed

10 - The third layer is brushed on, creating a 3/8'' (1cm) mold thickness

11 - The Shell Shock® mold is removed from the board

12 - Excess clay is cleared out of the mold using a wooden stick

13 - After the edges of the mold are sanded smooth, Skin Tite® part A is measured (1A:1B by volume)

14 - Skin Tite® part B is measured (1A:1B by volume)

15 - Silc-Pig® flesh tone pigment is added to the Skin Tite® part B

16 - The pigmented Skin tite® part B is added to the Skin Tite® part A

17 - The Skin Tite® silicone is mixed thoroughly

18 - The mixed Skin Tite® is spread into the mold using a wooden stick

19 - Excess Skin Tite® is scraped away

20 - After a 10 minute cure, the Skin Tite® piece is powdered

21 - The Skin Tite® piece is then carefully removed from the Shell Shock® mold

22 - The Skin Tite® wound is now ready for application

23 - Skin Tite is mixed and applied to the model's skin

24 - The Skin Tite® piece is applied to the skin.

25 - More Skin Tite® is mixed and used to blend the edges of the piece

26 - After the Skin Tite® cures, theatrical makeup is applied

27 - The finished piece bends and flexes with the model's facial movements