
1 - Ernesto's ice creation process begins with sculpting an original model in clay.
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2 - Chavant NSP not only provides great detail to Ernesto's sculptures, it is also sulfur free, meaning it will not inhibit the mold making silicone rubber Rebound® 25.
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3 - Once the sculpture is completed, Ernesto uses Rebound® 25 silicone rubber to make a mold. Ernesto has been making molds for over 25 years and says that ''Rebound® 25 is the easiest brush-on mold rubber he has ever used and his molds last indefinitely.''
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4 - Once the Rebound® 25 rubber is fully cured, a Plasti-Paste® support shell is applied. Once the shell is cured, the original clay model is removed. The rubber mold is seated into the support shell and support shell segments are bolted together.
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5 - The rubber mold is ready for casting water.
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6 - To save money on energy costs, Ernesto moves much of his casting operation outside in the cold winter months and lets Mother Nature turn water into beautiful ice sculptures.
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7 - Filling this rubber mold takes less than 1 minute. The water in the mold is left to freeze.
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8 - A couple of days later, the ice sculpture is ready to be demolded.
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9 - It takes at least two people to lift the heavy mold and casting.
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10 - The bolts in the support shell are removed.
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11 - The support shell sections are removed one at a time.
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12 - The support shell sections are removed one at a time.
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13 - The mold is peeled back from the ice sculpture like a glove.
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14 - Rebound® 25 is extremely strong and can be used hundreds of times for this application.
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15 - The finished ice sculpture is ready for display, adding interest and elegance to any setting.
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16 - Ernesto's work has been displayed at private parties, professional sports team banquets, government functions, country clubs, high-end restaurant buffets and other events.
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17 - This exquisitely detailed peacock remains a best seller for How Nice Ice.
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18 - This cornucopia ice casting measures 4' (1.22m) high. Ernesto states that his ''mold-related costs for each piece are quickly recovered by selling just a couple of ice castings. My labor costs associated with casting water vs. actually sculpting in ice are cut to a small fraction. And my raw material costs? Water.''
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19 - Aboard the QE II, ice sculptures add a touch of elegance.
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20 - Aboard the QE II, ice sculptures add a touch of elegance.
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21 - Ernesto states that, ''once the molds are created, there is no limit to what we can deliver.''
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22 - A special sculpture design created by Ernesto that keeps bottles cool aboard the QE II.
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