
1 - Alja Safe BreezeŽ is measured out at a ratio of 5 parts water to 1 part Alja Safe Breeze by volume.
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2 - Water is measured and added to a mixing container.
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3 - Once all the water is added, Alja Safe BreezeŽ is put into the mixing container.
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4 - Alja Safe BreezeŽ disperses and mixes easily in the water.
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5 - The alginate thickens as it is stirred in the water to a nice smooth consistency.
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6 - Once mixed, BreezeŽ is poured into a new, clean, casting container.
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7 - The advantage of Alja Safe BreezeŽ over other alginates is its smooth, lump free consistency that will ensure a perfect casting.
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8 - After mixing, the alginate is ready for life casting.
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9 - The smooth consistent texture of the Alja Safe BreezeŽ lends itself to easy lifecasting and capturing perfect detail.
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10 - Once initially plunged into the Alja Safe BreezeŽ , the model pulls his hand out to ensure there is no surface tension on the skin that could cause air bubble in the casting.
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11 - Within minutes, the BreezeŽ cures to a tough rubber like material.
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12 - Once cured, the model easily removes his hand, no residue from the BreezeŽ is evident on the model.
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13 - BreezeŽ cures to a very smooth material, capturing all the detail of the models hand.
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14 - Clay is melted on a hot plate in order to pour into the mold.
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15 - Once the clay is melted, it is poured into the freshly made BreezeŽ mold.
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16 - After the clay has cooled, the BreezeŽ mold is slid out of the container for demolding. (the bottle was inserted in the hot melted clay to provide a base to sculpt on.)
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17 - Demolding the clay hand from the BreezeŽ is an easy process, just tear it apart.
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18 - The BreezeŽ removes easily from the soft clay casting.
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19 - The clay reflects perfect detail captured in the Alja Safe BreezeŽ from the initial model. It is now ready for details to be sculpted in that would suggest it was severed from the body.
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